Woven into the Christmastime series is the celebration of the season, where the brightness of the holiday contrasts with the darkness of war – opposing elements that help to shape the storylines.

Much of the bright cheerfulness of Christmas comes from deep-rooted traditions: enjoying family and friends over delicious meals,

the sharing of festive treats,

the old-fashioned joys of finding your Christmas tree and decorating it,

the child’s delight in Santa Claus and flying reindeer,

the thrill of a white Christmas.

Layered into the spiritual element that defines the season is the pervasive beauty that fills this time of year:

the deep resonance of traditional music and the joyful togetherness of caroling,

the fragrant woodsy beauty of pine trees, garlands, mistletoe and holly,

decorations that delight the eye and lift the spirit.   

And perhaps the oldest and purest source of comfort and beauty comes from light in the darkness: the original form of fire found in bonfires, fireplaces, candles,

the old-fashioned multi-colored bulbs of my youth,

and the more recent fairy lights that bring a sense of twinkling magic.

All add nighttime magic, and comfort in the longer, colder nights.

I try to capture this contrast of light and dark in the covers of the Christmastime series. Lampposts glowing in the twilight and a city lit at night, symbolizing hope and the end of war,

Fewer, or a lonelier, single lit lamppost to reflect the darkest years of the war,

and the beauty of lamplight on snow, tinged with wistful yearning, for the new 1946 cover.

Christmas lights. In the long, cold nights of winter, they offer hope, comfort, magic, and beauty.

Click here https://a.co/d/0AdKGsB to begin the series