The Christmastime stories — rural and small-town Midwest

The Christmastime books, stories of love and family on the home front during the World War II years, portray an America with one foot firmly in the past and the other poised on the threshold of change. The setting for these stories, for the most part, is New York City. However, a few storylines are set in the rural Midwest.

I was born and raised in small-town Illinois and the beauty of the landscape there — old farm houses set among fields and pastures, trains running to and from the small towns, the  woods and orchards that change with the time of year — has always had a strong pull on me. The seasons are rich and distinctive, and the snowy winter setting perfect for the Christmastime stories.

In the first book of the series, Christmastime 1940, we find that Charles Drooms’ past is deeply rooted in rural Illinois, and there are a few flashbacks to his boyhood and life on the farm that explain many of his decisions later in life.

In a later book, there’s a scene where Lillian works on a series of illustrations depicting the role of women on the farm. With so many men enlisted, women had to step into the workforce and fill jobs that had recently been held by men. Lillian draws on her memories of visiting Kate’s farm in the summer of 1941.

postere farm woman

Beginning in Christmastime 1943, a key storyline takes place on Kate’s farm involving her daughters, Ursula and Jessica, and the German POWs who work on the farm while Kate’s sons are away at war. The scenes depict the connection of living close to the land with the rhythms of the seasons, and the rigor and back-breaking work required by farm life.

The farm scenes help to portray a period when time moved more slowly, and a place where most foods were locally grown and cooking was done from scratch.

A time when the home arts played an important role in day-to-day living,

and small-town life offered simple charm and the opportunity for visiting and shopping.

The tension between the beauty and bleakness of the Midwestern winter landscape also serves to reflect the complexities in Ursula, a young woman often driven by opposing impulses.

And on a larger scale, the small town and farm scenes offer a counterpoint to the New York City scenes. The tranquility and wholesomeness of the countryside serve as a reminder of how much was at stake in the war.

The rural setting also represents the tens of thousands of young men, such as Kate’s four sons, who left their small towns and farms to fight in Europe and the Pacific. For many of them, it was the first time ever leaving home. For them, the very idea of “home,” and everything it symbolized, became a deeply cherished and protected ideal.

pie and chair

(For more images evocative of the world of Christmastime, please visit my Pinterest boards at http://www.pinterest.com/lindamahkovec/)

The Plaza Hotel – book cover

All the book covers in the Christmastime series feature an old-looking photograph set in winter. They to help establish a sense of place and give the impression of peering back in time. The images also portray places that are still in existence in Manhattan, so that the reader can feel it’s possible to step into the world of Christmastime by strolling through New York City, whether literally or imaginatively. Hence, the snowy photographs of a brownstone and several scenes from Central Park.

The covers must also reflect the content and tone of the books. I chose increasingly lonesome images and darker colors as the war years wore on, especially for Christmastime 1942 and Christmastime 1943.

Though 1944 was another terrible year, the Allies were clearly gaining the upper hand, and many people believed that the war in Europe would be over by Christmas. (The mid-December surprise count-offensive by the Germans, resulting in the Battle of the Bulge, quashed that hope, and the war raged on.)

But when December arrived, hope was in the air. For the cover of Christmastime 1944, I wanted an image that was lighter, brighter, and more hopeful. When I came across the image of the Plaza Hotel lit up at night, I thought it would be perfect for the story – especially since the hotel figures into one of the plots.

cover Christmastime 1944

If you’re ever in Manhattan, stop by the Plaza Hotel for lunch or tea. Stroll through the lobby to look at the beautiful bouquets of seasonal flowers, the mosaic floors, and the stained-glass ceiling in the Palm Court.

 

And if you’re in the Christmastime frame of mind, you just might catch a glimpse of a lovely woman in a 1940’s satin and chiffon green dress.

Plaza PP mosaic

Autumn Orchards

red apples

A trip to the orchard always feels like stepping back in time, especially at this time of year. There is something quaint and old-fashioned about the crates of red, green, and yellow apples, the rows of trees and pumpkin fields under an open sky, the warm colors of autumn’s harvest all around.

Even the things you can buy at an orchard are wholesome and picturesque. Besides bags of apples, there are rows of jams and honey, pumpkins and gourds, and ears of Indian corn in those gorgeous colors that always surprise.

And who can pass up the apple cider, the caramel apples, and the apple cider donuts?

There were several orchards around the small town in Illinois where I grew up. But there was one we went to every fall, making almost weekly trips to buy apples. We’d also buy jars of apple butter, homemade peanut brittle, and containers of popping corn. Once I was visiting home during the Fall Festival and was lucky enough to find beautiful bunches of bittersweet for sale. They were tied in thick clusters, vibrant in color. I bought several bunches and they decorated my NYC apartment for many years.

The old-fashioned, romantic allure of the orchard  found its way into my WWII era Christmastime series. The main character, Lillian, was raised in upstate New York where the seasonal beauty of the orchards and fields influenced her as an artist. She moves to the city, but her sister, Annette, runs an orchard with her husband. Lillian is grateful to have that haven to return to, where she can reconnect with her girlhood and enjoy the pleasures of country living. And her two boys, Tommy and Gabriel, love the freedom of running through the orchard and playing in the cider house. And sometimes, they celebrate Christmas there.

orchard apples on ground

This time of year is all too brief — the harvest season, apples and pumpkins, the colors of fall, sweater weather. Soon the trees will soon lose their leaves, the temperatures will drop, and the orchards will close their doors.

orchard yellow leaved tree

Before that happens, make a trip to an orchard — crunch into a juicy apple, take some cider home with you, treat yourself to a caramel apple. Or just stroll around the earthy charm of the orchard, and savor this beautiful time of year.

orchard path fall

 

The Shakespeare Garden in Central Park

SG fence and flowers

Central Park is full of many beautiful places, but for tranquility and loveliness, the Shakespeare Garden is the place to go. It’s located near the Delacorte Theatre where the Shakespeare in the Park series is held every summer. Much of the interest in the sloping four-acre garden comes from the winding stone paths and rustic wooden benches and fences than run through the garden. At the foot of the hill is the Swedish Marionette Theatre, and at the top, the Belvedere Castle. Nestled between is the intimate Shakespeare Garden.

Shakesphere_Gardens_-_Central_Park_NYC_-_panoramio

“What had formerly been known as the Garden of the Heart was, in 1916, renamed the Shakespeare Garden to mark the 300th anniversary of the William Shakespeare’s death.” (centralpark.org)

Plaque SG

The garden is beautiful at all times of year. In the spring, brightly colored bulb flowers line the fences, and surround the Swedish Marionette Theatre.

The fall and winter have their own seasonal beauty. I used the Shakespeare Garden for a scene in Christmastime 1942, where Edith and her Shakespearean actor, Desmond Burke, stroll through the snowy garden.

But the garden is at its most glorious in summer, when it matures into full bloom. In mid-August the lush green of the garden is crowded with purple and white phlox, pink roses, yellow daisies, white lilies, and purple cone flowers.

Thistles, ivy, vines, and herbs also bloom, and there are several trees that cast their shade over the benches and paths. The heat releases the garden’s scents, both sweet and pungent, and the air is alive with bees and butterflies in search of summer sweetness.

Away from the sounds of traffic, and with its sundial and bronze plaques with quotes from Shakespeare, it’s easy to imagine stepping out of time, and into a much older garden. The perfect place to read a book, or have a quiet conversation with a friend, or just to enjoy the beauty of a summer day.

lilies

Spoken by Oberon, A Midsummer Night’s Dream, Act 2, Scene 1

“I know a bank where the wild thyme blows,
Where oxlips and the nodding violet grows,
Quite over-canopied with luscious woodbine,
With sweet musk-roses and with eglantine:
There sleeps Titania sometime of the night,
Lull’d in these flowers with dances and delight.”

Summer — in The Christmastime Series

5 Kate's farm summer trees fence.jpg!d - Copy

Summer. A languid time of year that seems to move more slowly than the other seasons. Perhaps because the days are longer, or perhaps because many people are on vacation and the children are out of school, or perhaps because more time is spent outside, it is a rich time of year that creates indelible memories.

 

Memories of summer occasionally surface for some of the characters in my WWII Christmastime series, where most of the action is set in the cold and snow of December.

 

Though the stories take place on the home front, mostly in New York City, the events of the war shape the characters’ lives, making them fearful, anxious, and dreading the unknown. Adding to the tension are the attacks that take place in December — Pearl Harbor in 1941, and the surprise German counter-offensive in December 1944 that began the Battle of the Bulge.

For these characters, summer memories of a gentler and safer time soften the harsh realities of  war-time living. They remember bike rides along country roads, gathering garden flowers to place on the kitchen table and in bedrooms, afternoon picnics, a moonlit swim.

 

One memory in particular evokes the beauty and longing of late summer. In Christmastime 1941, Charles takes Lillian and her two sons to visit his sister Kate, who lives on a farm in Illinois. Lillian and Kate sit on the farmhouse porch in the late afternoon.

Lillian helped Kate finish the laundry, and then sat with her on the front porch, shucking corn for dinner.

 

A beautiful August day surrounded them in all its fullness and simple charm. A gentle breeze rustled the leaves high in the pin oaks, and fluttered the laundry on the clothes line, causing the white billowing sheets to snap softly now and then. The wide porch surrounded them with views of the corn and soybean fields stretching to the horizon. To the east stood a cluster of tall trees, their leaves a dark, dusty, late-summer green, with some leaves already edged in brown. And before them, Kate’s flowers along the lane – a tall tangle of orange, yellow, white, and blues – tiger lilies and daisies, cornflowers and asters.

 

Lillian lifted her face to catch the afternoon breeze, and caught the scent of honeysuckle that covered the fence along the lane. 

 

The wind alternately muffled and then sharpened the sounds of Tommy and Gabriel playing horseshoes with Kate’s sons: dull thuds as the horseshoes fell on the earth, clinks of metal as they hit their mark or landed on each other, mixed with clapping, laughing, good-natured disputing. Lillian had felt suffused with a sense of well-being, surrounded by an earthy loveliness.

2 clover in sunlight

Afternoon picnics, gardens in bloom, ripe fruits and vegetables, lush trees and fields — summer is the time of year when some of our strongest memories are born.

World War II Veterans

Tinton Falls 1

I traveled to Tinton Falls, New Jersey over the weekend in order to interview my friend’s father, a WWII veteran who served in the Pacific from 1943 to 1946. I wanted some details for the next book in my WWII series, Christmastime 1944.

Tom had a modest, understated manner when describing his time in the war, a trait so common in that generation: you did your duty to the best of your ability, and didn’t complain about it. (He also talked a bit about his years as a NYC policeman – which included delivering four babies!)

With an occasional reference to the album on his lap, full of photographs, newspaper clippings, letters, and mementos, he described boot camp and then leaving from the Brooklyn Naval Yard on the U.S.S. Bennington, an aircraft carrier.

Bennington (1)

They sailed through Panama and stopped at Hawaii. In the album were the now classic WWII images of Hawaii: women in grass skirts dancing the hula, sailors with leis around

their necks posing against a tropical backdrop – just young boys, seemingly far too young to be in uniform. Then on to the Pacific.

Tom described being stationed at the gunnery, and how the kamikazes would often attack four at a time, two flying low, just above the water, two up high; one came so close that they saw the pilot’s face. “He came out of the clouds. If he had emerged another fifteen or twenty feet closer, I wouldn’t be here today.” And there were photographs in his album of night time kamikazes taking fire.

He described the typhoon off Okinawa in June, 1945 that snapped off the prow of their aircraft carrier, “bent it like a pretzel.”

typhoon final (1)

Miraculously, no lives were lost. Besides the euphoria of having survived the typhoon, a surge of happiness filled the seamen– surely the battered ship meant they were going home!

But no. The ship was patched in the Philippines and continued on towards Japan.

After about two hours of reminiscing, it was time to let Tom take a rest. We would come back later to take a closer look at the photo albums.

close-up-tom

At dinner that night, overlooking beautiful Tinton Falls,  my friend and I wondered: what was it about WWII that so defined our parents’ generation? Why was that the topic of conversation they always wanted to talk about? After all, three years out of ninety-one years in her father’s long life seems a very short time.

For my father, it was his time in the Army Airforce, as it was called back then, that was his favorite storytelling topic. We grew up with his tales of WWII, and now that I think of it, I don’t really have a clear idea of his life before or after the war. As with Tom, it’s as if those war years remained in color and sharp focus, fresh in detail and charged with emotion.

Was it because it was a pivotal point in their lives, the transition between boyhood and manhood? The jarring experience of being a 17- or 18-year old boy with his eye on the future, college, the girl next door, suddenly pulled into a cause larger than his dreams, into a world-wide conflict? Was it the strong camaraderie in life and death situations? The pride of having served a purpose higher than the one they might have chosen for themselves? An unspoken: I was there. I was part of something great. In a war of values, I fought on the side of good. And won.

Before leaving Tom and the assisted living place, my friend and I stopped by its library libraryto drop off a set of my books. We noticed that there were several shelves reserved for books about WWII.

My friend recognized one of her father’s dining buddies, Eric, and introduced me to him. There he was, well into his nineties, with an atlas opened before him, the seat of his walker serving as a table. He was intently poring over a map of Italy, his finger slowly traveling up the map. He was British and I thought perhaps he had vacationed there, or maybe he was checking a fact from a book or conversation. We asked about his interest in Italy.

With a twinkle of pride in his eye, he looked up and smiled. “I was stationed in Italy, during the war.”

Of course.