The Christmastime books, stories of love and family on the home front during the World War II years, portray an America with one foot firmly in the past and the other poised on the threshold of change. The setting for these stories, for the most part, is New York City. However, a few storylines are set in the rural Midwest.
I was born and raised in small-town Illinois and the beauty of the landscape there — old farm houses set among fields and pastures, trains running to and from the small towns, the woods and orchards that change with the time of year — has always had a strong pull on me. The seasons are rich and distinctive, and the snowy winter setting perfect for the Christmastime stories.
In the first book of the series, Christmastime 1940, we find that Charles Drooms’ past is deeply rooted in rural Illinois, and there are a few flashbacks to his boyhood and life on the farm that explain many of his decisions later in life.
In a later book, there’s a scene where Lillian works on a series of illustrations depicting the role of women on the farm. With so many men enlisted, women had to step into the workforce and fill jobs that had recently been held by men. Lillian draws on her memories of visiting Kate’s farm in the summer of 1941.
Beginning in Christmastime 1943, a key storyline takes place on Kate’s farm involving her daughters, Ursula and Jessica, and the German POWs who work on the farm while Kate’s sons are away at war. The scenes depict the connection of living close to the land with the rhythms of the seasons, and the rigor and back-breaking work required by farm life.
The farm scenes help to portray a period when time moved more slowly, and a place where most foods were locally grown and cooking was done from scratch.
A time when the home arts played an important role in day-to-day living,
and small-town life offered simple charm and the opportunity for visiting and shopping.
The tension between the beauty and bleakness of the Midwestern winter landscape also serves to reflect the complexities in Ursula, a young woman often driven by opposing impulses.
And on a larger scale, the small town and farm scenes offer a counterpoint to the New York City scenes. The tranquility and wholesomeness of the countryside serve as a reminder of how much was at stake in the war.
The rural setting also represents the tens of thousands of young men, such as Kate’s four sons, who left their small towns and farms to fight in Europe and the Pacific. For many of them, it was the first time ever leaving home. For them, the very idea of “home,” and everything it symbolized, became a deeply cherished and protected ideal.
(For more images evocative of the world of Christmastime, please visit my Pinterest boards at http://www.pinterest.com/lindamahkovec/)
“Strange how a teapot can represent at the same time the comforts of solitude and the pleasures of company” ~Author Unknown
“Find yourself a cup; the teapot is behind you. Now tell me about hundreds of things.” ~Saki
Though the story of The Garden House opens in late spring and closes in the fall, I made a Pinterest board called “The Garden House – winter.” The main character, Miranda, lives in Seattle and has a beautiful garden that’s an integral part of her life. I imagine her loving her garden in all seasons, including the rain and occasional snow of winter.
Linda Mahkovec - Author 